Next weekend (October 26-27) is the Annual running of the
Woodstock Invitational Luthiers Showcase. What may sound to some like a
presumptuous hoity-toity name for a small event in a small music centric town
is, in all honesty, a very apt and accurate name.
While it did begin, just 5 years ago as a humble and small
event catering to a very specific audience, each year it grows further and more
decidedly into a ‘destination event’ for many of the industry elite, while at
the same time providing a platform for very local and regional artisans and
maker of the finest stringed instruments.
There is a very fine article in this week’s Woodstock Times,
written by my friend Brian Hollander and featuring my other friend, and the
founder of the event, Baker Rorick. Baker’s photo even adorns the front page of
the paper (much to his chagrin, but I think it's a great photo). The article, can be found here.
Each year the event is better attended by both those who
come to display and demonstrate their fine instruments, as well as those who
come to ogle and try them. There is a fine lineup of top level musicians who
come to play these instruments in small and intimate settings that grows and is
varied every year. My observation is that some of the playing to be heard behind
the tables and out in the aisles of the show floor is just as good or even
better than what can be heard on stage. It’s all a matter of being in the right
place at the right time.
To be sure, the bulk of the instruments on display are not
at all what you might find in Guitar Center or any other music shop. These are all
handmade custom instruments, many garnering prices well out of my range by a
factor of 10. So why, you ask, would I want to go and look at a bunch of stuff I
could never afford? Well the truth is, most of these instruments are works of
art and a joy to behold. In addition, in many cases, if you ask nicely, the
builders may actually let you sit down and try them out. Playing an instrument
of such high quality brings its own reward, and it is nice to dream a little
bit, isn’t it? Besides, it’s not all super huge price tags. There are a few
things to be had by those of us who don’t come in with a pocket full of cash.
Then there is the music. These are intimate venues
where a large part of the audience are players and those on stage are certainly
putting their best foot forward for such a knowledgeable audience. Some magic
can be anticipated at any point in the weekend. The are several events scheduled
at other locations to handle larger crowds, check the schedule. Here is one of my favorite videos from a few years back at this show. It's a tease, becaue it ends too soon, but you will certainly get the idea:
There are plenty of videos to watch on the Show's website (see below).
One of the
things I enjoy at this show is crowd watching because you never know who might
be shuffling up the aisle behind you. Just putting together the location with
the local population can bring out some folks you may not be used to running
into. Keep your eyes and ears open when you go and you might meet some neat
folks.
Several workshops are available through the course of the
weekend by very talented and well known players. Even if you are not the type of
player that can grasp what a top flight performer would share, you are bound to
learn some things that will help you along.
All in all, this event is one that often gets overlooked by
many because they are not in the market for a high priced instrument. I urge you
to reconsider that point of view. Each time I go, I learn something of value, I
meet new people that I like, and I have a great time. No I have never bought, or
contracted for an instrument, but I always had a good time and supported a local
event that brings in a great deal of money to the town.
I spoke to Baker briefly last night and one of his concerns
going forward is that the demand for space by vendors is increasing at a rate
that may outstrip the available space (which is at capacity). Baker started this
as a community event to help the shop owners in town and increase visitors from
outside the area. Keeping it to a manageable size appears to be his biggest
challenge going forward. The last thing he wants is to be forced to find a bigger place outside of town.
So come on down and check it out, but before you do, go to the website and check out the schedule which can be found here. Also, don’t
forget to read that article in the Woodstock Times.
Oh yeah, and if you see Baker, tell him I sent
you.
Keep the Beat,
Tom
Keep the Beat,
Tom
Sounds like a wonderful event!
ReplyDeleteStop by and say hello to my friend Eric Aceto (Ithaca Stringed Instruments) and see the beautiful instruments he builds. If you're very lucky, you might get to hear him play one. :-)
I am hoping to visit both days and may just sneak in on Friday too. I should have time to look up Eric. I was interested to read his little writeup in the program and note those he has built instruments for such as Darol Anger. I also note that his booth is right next to Martin Keith's booth which is a place I tend to linger for a while. Martin is always a pleasure to speak with and view his work. It's nice to have the program ahead of time (thanks Baker) and get the lay of the land before hand.
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